Gregory Stephens
Late Owl

On his ninth album, Late Owl by Gregory Stephens he is closest to creating a landmark on parallel with the most assured, unashamedly danceable album encompassing dub reggae melodies and post-punk vocals. It is the antidote to the consumer focus groups and hit-writers too scared to tamper with the formula. Late Owl is a refreshingly modern music with a sonic size and ambition that goes towards justifying Gregory Stephens as the premier artist of our age who has stumbled upon a personal disillusionment that says there are no laws governing what can be written. This has led to a brave and beautiful album of humanity, hurt and hope; an absolute masterpiece.



Gregory Stephens
The Second Gospel of Greg

On his eighth album, The Second Gospel of Greg, Gregory Stephens continues to explore American Folk Country with the 70’s Sounds of Roots Reggae, combining Gregory Stephens’s unique vocal style with deep reggae influenced grooves. The album delves into the stories of the Book of God and Judgment Day. It delivers a spiritually significant message.



Gregory Stephens
Lucky Man

On his sixth album, Lucky Man by Gregory Stephens he is closest to creating a landmark on parallel with the most assured, unashamedly danceable album encompassing dub reggae melodies and post-punk vocals. It is the antidote to the consumer focus groups and hit-writers too scared to tamper with the formula. Lucky Man is a refreshingly modern music with a sonic size and ambition that goes towards justifying Gregory Stephens as the premier artist of our age who has stumbled upon a personal disillusionment that says there are no laws governing what can be written. This has led to a brave and beautiful album of humanity, hurt and hope; an absolute masterpiece.



Gregory Stephens
Organ Dub

On his seventh album, Organ Dub, Gregory Stephens continues to push the boundaries by reflecting on his dub reggae roots to create one of the greatest reggae masterpieces of all time. With a musical mix between Amy Winehouse, Bruno Mars, Bob Marley and Lee Scratch Perry, Gregory Stephens once again wrecks it with another original experience. Beyond the mastering of his organ the styles are the rhythmic dub reggae influenced musics that have not been seen since 1972. Gregory Stephens continues to defy all attempts to pigeonhole himself as anything but amazingly diverse.
“This album is roots irie dub… It is like he has been hiding in a coffin since 1972 and just dug his way out to destroy the scene with the original musics” ~Dicky Brown
“…back to basics and beyond explosive. This is an invigorating look at a man and his balls out refusal to bow down to the Babylon and turn out another pop album even if his last was the unbeatable quintessential masterpiece that can never be compared to.” ~Johnny Hollywood



Gregory Stephens
The Deepest Cut

The Deepest Cut by Gregory Stephens is the album closest to creating a landmark on parallel with the most assured, unashamedly danceable album encompassing dub reggae melodies and post-punk vocals. It is the antidote to the consumer focus groups and hit-writers too scared to tamper with the formula. The Deepest Cut is a refreshingly modern music with a sonic size and ambition that goes towards justifying Gregory Stephens as the premier artist of our age who has stumbled upon a personal disillusionment that says there are no laws governing what can be written. This has led to a brave and beautiful album of humanity, hurt and hope; an absolute masterpiece.



Gregory Stephens Return the Roots

On his fourth album, Return the Roots, Gregory Stephens continues to push the boundaries by reflecting on his dub reggae roots to create one of the greatest reggae masterpieces of all time. With a musical mix between Amy Winehouse, Bruno Mars, Bob Marley and Lee Scratch Perry, Gregory Stephens once again wrecks it with another original experience. Beyond the unique vocal styles are the rhythmic dub reggae influenced musics that have not been seen since 1973. Gregory Stephens continues to defy all attempts to pigeonhole himself as anything but amazingly diverse.

 

“This album is roots irie dub… It is like he has been hiding in a coffin since 1973 and just dug his way out to destroy the scene with the original musics” ~Dicky Brown

“…back to basics and beyond explosive. This is an invigorating look at a man and his balls out refusal to bow down to the Babylon and turn out another pop album even if his last was the unbeatable quintessential masterpiece that can never be compared to.” ~Johnny Hollywood

On his third album, Diggin In, Gregory Stephens continues to push the boundaries of music by reflecting on his punk rock and dub reggae roots to create a pop masterpiece. Gregory Stephens’s one of a kind vocal style, peppered with just the right amount of auto-tune mixes with his electro-pop synth madness and drum machine pounding out highly erotic dance beats to create an amazing and original music experience.

With the diversity of Beck and Lenny Kravitz, Gregory Stephens quickly switches and flips styles and beats throughout the album; influence of the stylings of Bruno Mars, Prince, Justin Timberlake, Willie Nelson, The Clash and Lee Scratch Perry can be seen from beginning to end. Beyond the unique vocal styles are lyrics that bring to life the dance of love that man has with a woman and how a seemingly unquenchable thirst can turn to suffocation and despair. From the edgy opening track Dirty Things to the soul of Woman Don’t Leave Me Alone to country on Woman Leave Me Alone to rap on Watch You Dance and punk on I Just Want To Run Away, Gregory Stephens defies all attempts to pigeonhole himself as anything but amazingly diverse.

Gregory Stephens Diggin In

“This album is the quintessential result of the greatest reggae artists of our time saying f*ck it and turning out a pop album…” ~Dicky Brown

“…It’s beyond explosive and looks at the heady concept of love being only a stones throw from torture and mans inability to avoid the downfall of being evaginated by the Venus Fly Tap.” ~Johnny Hollywood

Gregory StephensThe Gospel of Greg

Gregory Stephens’s new album The Gospel of Greg explores American Folk Country with the 70’s Sound Roots Reggae, combining Gregory Stephens’s unique vocal style with deep reggae influenced grooves. The album delves into the stories of the Book of God and Judgment Day.

 

Buy songs or the album here:


From the newwest album The Gospel of Greg, here is the Premier Video for the first track, Family Man. Gregory Stephens is one man banding his way into his next highly anticipated solo album The Gospel of Greg. This new album is sure to amaze, with a spiritual revival twist to it. Gregory Stephens has apparently been to the mountain top and come back to ear fuck you (in a good way) with some old testament knowledge. Gregory Stephens – Album: The Gospel of Greg – Song: Family Man

Family Man Lyrics: Sometimes I feel like the whole world is going to get me down But I know that’s not so true Sometimes I find myself believing the whole world is going to get me down But I know that’s not so true Cause when you got a family you can’t wait for another Moses When you got a family you got to work so hard When you got a family things don’t come so easily When you got a family your family is your God  
 

Gregory Stephens’s debut album Mary Janes Undertaker is a fresh look into contemporary roots reggae dub rolled specifically for cannabis users! Gregory Stephens is a lead writer and organist for 10ft. Ganja Plant and Mang Dub and has worked with Luciano, Big Youth, Mikey Dread, Frankie Paul, Beres Hammond, Half Pint, Sugar Minott, Beenie Man, Jimmy Cliff, Inner Circle, Slightly Stoopid, John Browns Body, Guvna Dub Sessions and many more.

Gregory StephensMary Janes Undertaker

He recently wrote and remixed music for Easy Star’s Dubber Side of the Moon as well as finishing off and 10ft Ganja Plant release. In this solo debut Gregory Stephens for the first time takes the helm in producing and performing his own music, inspired by Jah and Herb; the healing of the nation. A portion of all proceeds help support NORML

 

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